Game Name: Darkest Dungeon (2016)
Developer: Red Hook Studios (have made only this game)
Platform: Windows, OSX, Linux, PS4, Vita, iOS, Nintendo Switch, XBOne
(reviewed on PC and Vita)
Categories: Lovecraftian Horror, Turn-Based Party Combat, Real-Time 2D Exploration, Gore-gous Art Style, Carnage and Viscera, the Darkest Tone, Bleak and Brooding, Punishing Difficulty, Structured Rogue-Like, Sacrificial Risk/Reward, Engrossing Story, Best Narration, RPG Equipment, Skills, Traits, Afflictions, Madness and Stress Mechanics, Town Development, Procedural Missions, Dark Fantasy, Perma-Death,
May Appeal To: mettle testers, metalheads, medal earners, angsty teens/tweens, masochists, self flagellators, punishment gluttons, horror fans, disturbed obsessors, H.P. Lovecraft freaks, Alice Cooper and other pasty consumers of black eyeshadow
May Repulse: God fearing folk, scaredy cats, responsible parents, the busy, the previously abused or burnt, [boring] well-adjusted citizens, self respecting abstainers, and that one dude that knows his limits
Comparable To: a bunch o’ games that leap to mind…. but aren’t all that similar after consideration. It bests Bastion’s charismatic voice-overs. It champions TellTale Game’s bold, bright comic book style. Early Final Fantasies’ turn based, four person battle system -complete with spells and items- are the closest that I can dredge to measure its architecture. Dungeon of the Endless is a rogue-like exhibiting mysteriously ominous environs and specific character roles in defeating the bloodthirsty swarms. (This one also had a transactional battle system that is closer to Darkest Dungeon’s mission setup.) Etrian Odyssey and early Wizardry games are contenders for the labyrinthine, tile based exploration and testicle crushing difficulty DD may have taken inspiration from. Long story short, it’s a primal RPG amplified by modern conventions flying in the face of its predecessors, and no comparison does it justice.